Meg just left one. Lenny never had one. Babe just shot one. The MaGrath sisters sure have a way with men!

Adapted from the Pulitzer Prize-winning play by Beth Henley (who also penned the screenplay), Crimes Of The Heart stars three high-powered actresses as three high-strung sisters. Lenny (Diane Keaton), Meg (Jessica Lange) and Babe (Sissy Spacek) gather at Lenny's deep-South home for her birthday. Lenny, the oldest, can't seem to sustain a relationship with a man. Meg is an aspiring actress who hasn't progressed beyond commercial voice overs. And Babe is released on bond from jail after shooting her senator husband. Add to this information the fact that the girls' mother killed herself in Lenny's house, and that when Meg offhandedly expresses the wish that grouchy grandfather Hurd Hatfield would slip into a coma, he does, whereupon the sisters, despite every effort to treat the situation with proper sobriety, burst into helpless laughter over her "psychic" powers.

The story focuses on the Magrath sisters - Lenny, Meg, and Babe - who reunite at the family home in Hazlehurst, Mississippi after Babe shoots her abusive husband. The three were raised by Old Granddaddy after their mother hung herself and the family cat and have been eccentric ever since. Lenny is a wallflower who bemoans her shriveled ovary. Egocentric Meg is a singer whose Hollywood career ended abruptly when she suffered a nervous breakdown. Unruly and impulsive Babe shocks her sisters with stories about her affair with a teenaged black boy. Past resentments bubble to the surface as the women are forced to deal with assorted relatives and previous relationships while coping with the latest incident that has disrupted their dysfunctional lives.

Crimes Of The Heart received positive review among critics. Roger Ebert of the Chicago Sun-Times called the film "that most delicate of undertakings: a comedy about serious matters. It exists somewhere between parody and melodrama, between the tragic and the goofy. There are moments when the movie doesn't seem to know where it's going, but for once that's a good thing because the uncertainty almost always ends with some kind of a delightful, weird surprise ... The underlying tone ... is a deep, abiding comic affection, a love for these characters who survive in the middle of a thicket of Southern Gothic clichés and archetypes." [3]

Rita Kempley of the Washington Post described it as "Hannah and Her Sisters with a southern accent, a lilting gingerbread gothic with Diane Keaton, Sissy Spacek and Jessica Lange ding-a-linging harmoniously as Dixieland belles" and added, "Playwright Beth Henley has no dire message for us, but her adaptation is nicely restructured, glib as all get-out and character-wise ... The powerhouse performances are directed by Bruce Beresford, who maintains balance among the actresses and keeps a lovely tone and smooth pace. As with his critically acclaimed Tender Mercies, the Australian director again looks at American types with a fresh eye."

Release Date: December 12, 1986

Distrib: DEG

Boxoffice: $22,905,522 2014: $49,459,100